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"Coolnagurtheen." "It is all her doing," says the old man,—"Mona's, I mean. She loves those flowers more than anything on earth, I think. Her mother was the same; but she wasn't half the lass that Mona is. Never a mornin' in the cowld winter but she goes out there to see if the frost hasn't killed some of 'em the night before." "Answer me," persists Mona, not heeding—nay, scarcely hearing—his last speech. "You said once it would be difficult to lie to me. Do you know anything of this missing will?".
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Conrad
"Dear Lady Rodney, no," cries the horrified Æsthetic, rather losing faith in her hostess. "I mean about his resigning lands and heritage, position, title, everything—all that a man holds most dear, for a mere sentiment. And then it was so nice of him to shoot himself, and leave her all his money. Surely you must see that?" The whole of the long north gallery is flooded with its splendor. The oriel window at its farther end is lighted up, and from it can be seen a picture, living, real, that resembles fairy-land. "I want you to see my own work," she says, going up markedly to Mona. "I am glad my garden has pleased you. I could see by your eyes how well you appreciated it. To see the beautiful in everything, that is the only true religion." She smiles her careful absent smile again as she says this, and gazes earnestly at Mona. Perhaps, being true to her religion, she is noting "the beautiful" in her Irish guest. "Yes; the one with the brown feather," returns Mona, quickly, and with a smile radiant and grateful, that sinks into Violet's heart and rests there..
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